For Nirmala, Image is the most significant ingredient in works of art. It is a unique signifier of multiple meanings. In todays Post-Modern art praxis, images or 'objects of curiosity' become easily accessible at click of a button. Artists using/appropriating readymade images (as she would like to call them) for their visual arena often perplexed her. But at the same time as an upcoming artist, there was a constant and innocent urge to follow the trend or rather to contemporize her own visual vocabulary. The images around her now do not remain hushed but start narrating and weaving stories; not necessarily sensible and comprehensive .They become floating signifiers and metaphors of the hidden consciousness. As Suzanne Langer puts it, for Nirmala, Art is the objectification of feeling and subjectification of nature.
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